The exhibition “Lingua Enfumante” proposes a space inhabited by realities in constant mutation.
Whether it is the manipulation of the text Infamous people (Forgetting Vezzoli) originally signed by Stéphanie Moisdon, sculptures that are both carnal and domestic, or the presence of a subjacent narrative through the engraving on the metal of a hotel dish-warmer
Through the cohabitation of elements that are not easily hierarchical, the exhibition attempts to create a space where light, narratives and sounds exist in a fragmented way, without apparent continuity.
Lingua Enfumante reveals a space for questioning the processes that define the universes of possibility, through the saturation and juxtaposition of images, temporalities and narratives.The objects produced by Alfredo Aceto are traces, functional elements for the construction of the space where the blurred boundaries between personal and collective timeline allows chronology to be manipulate. His work arises from the will to create a place where would mix together the various strata of a linear form of time, turning into a platform from which signs of different temporalities emerge.
