Full Moon Sergio,
CIRCUIT, Centre d'Art Contemporain
, 2024

Hanging Eggplants, 2024
Polyurethane hard foam, casted resin, acrylic paint, plywood, screws, steel cable
40 × 30 × 25 cm

Fitness Disruptive Hyatt, 2024
Inkjet print on baryta paper
60 x 40 cm
Diamond IX, V, 2023
Bronze
Ø 13 × 5 cm each
Baechler Teinturiers Blonay, 2024
Inkjet print on cotton paper
89 x 110 cm
Last Cigarette Before I Go, 2024
Mixed media on fabric
Variable size
Diamond III, X, XII, 2023
Bronze
Ø 13 × 5 cm each
Fitness Disruptive NH, 2024
Inkjet print on baryta paper
60 x 40 cm
Fitness Disruptive Sheraton, 2024
Inkjet print on baryta paper
60 x 40 cm
Fitness Disruptive Radisson, 2024
Inkjet print on baryta paper
60 x 40 cm
Hanging Eggplants, 2024
Polyurethane hard foam, casted resin, acrylic paint, plywood, screws, steel cable
40 × 30 × 25 cm
Coulisses, 2024
Mixed media, mannequins
Variable size

Alfredo Aceto’s exhibition Full Moon Sergio at CIRCUIT confronts narratives. For example, the customs of the Neolithic civilisation of the Cucuteni-Trypillia are set against the myth of the super-entrepreneur embodied by Sergio Marcionne. Sergio was an Italian-Canadian businessman living in Switzerland. He is best known for having led the Fiat Chrysler Automobiles merger. Alfredo Aceto shows an ambiguous interest in the figure of the businessman, summoned up in the title of the exhibition Full Moon Sergio, sounding like an invocation.